Cropped open-front jacket in ivory cotton, fully embroidered in tonal threads — warm sand, chalk, pale linen.

The embroidery is raised, almost relief-like, covering the entire surface.

Same structure as the work disappearing into itself: you see texture before you see pattern.

Floral and geometric motifs across every panel, rounded and dense, blending into each other rather than standing apart.

All hand-stitched, all slow.

The tonal palette keeps it quiet — this is a piece that reads as one colour from a distance and reveals its detail up close.

Collarless, no closure, boxy cut that hits above the hip. Constanza layers over white, over linen, over anything neutral.